2012 ︎︎︎



HASENHERZ or the Pleasures of the Moving Image and Word



HASENHERZ screening and discussion venues

︎ Angewandte Innovation Lab
︎ Brücke-Museum, Berlin
︎ Kunsthaus Graz
︎ Whitechapel Gallery – London
︎ Diagonale – Festival of Austrian Film
︎ Kulturzentrum bei den Minoriten – Graz
︎ School for Independant Film –  Vienna
︎ European Forum Alpbach
︎ Kunsthalle Vienna
︎ CCA - Centre for Contemporary Art – Tel Aviv
︎ Kunstraum München
︎ Lakeside - Klagenfurt
︎ DAS ESSZIMMER – space for art+, Videonale Bonn
︎ Zentrum Fokus Forschung, University of Applied Arts Vienna




HASENHERZ project cooperation

︎ wannseeFORUM Berlin
︎ MSU Museum of Contemporary Art Zagreb
︎ Museion Bolzano
︎ University of Applied Arts Vienna
︎ Braunschweig University of Arts
︎ reMARKable, Center of Contemporary History, Melk
︎ FH St. Pölten, Insitute of CreativeMedia/Technologies
︎ Art in Public Space Lower Austria


The association HASENHERZ or the Pleasures of the Moving Image and Word started in 2012 as a screening format. Over the last years, it has evolved and is now also producing and conducting long-term projects, such as the recent European cooperation ART WORKS! European Culture of Resistance and Liberation. As a screening- and discussion format HASENHERZ or the Pleasures of the Moving Image and Word simultaneously constitutes a work of art and an instrument of in-depth art examination based on an open exchange between the artist and the audience. HASENHERZ as a nomadic series appropriates the methods of Arnold Schönberg’s Verein für musikalische Privataufführung (Society for Private Musical Performance), 1918, where works of contemporary music were introduced to an audience of musicians and music lovers. Schönberg laid down specific rules for his society, amongst them: the piece shall be played, then discussed with the artist and the audience, followed by another performance of the same piece. This ensures that by hearing an artwork a second time (or seeing, in our case), one can allow it to reveal itself in another way.

The most important thing that has to be attempted is, on the one hand, to maintain the conversation – if nothing else, about art – and on the other hand, not to allow such an experiment to end in chatter. HASENHERZ has understood this – may the exercise succeed! Franz Schuh

I very much admire your structure for the screenings and agree, it always benefits to see short works twice! In two different modes of looking. Rosalind Nashashibi

HASENHERZ


May, 23, 2023: Sebastian Cichocki, Old Field Farm by Peter Nadin,
Zentrum Fokus Forschung, University of Applied Arts, Vienna.
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May 5, 2022: Dani Gal, Three Works For Piano, Zentrum Fokus Forschung, University of Applied Arts, Vienna.
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Nov 17, 2021: Sergio Edelsztein, Dear A.S.A/P, Michal Helfman (2019), Angewandte Innovation Lab, Vienna.
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Jun 26, 2021: Marianna Vecellio, 
Compost: a model for a fluid/co-evolutive and co-generative curatorial practice, in co-operation with Leonardo Caffo, Angewandte Innovation Lab, Vienna.
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Apr 16, 2021: Monika Rinck, Leise hektische Delikte, connecting text fragments by Sonja vom Brocke and Klaus Heinrich, Zentrum Fokus Forschung, University of Applied Arts, Vienna.
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Sept 24, 2020: Pia Palme, Eins und Doppelt (2020), interpretation and discussion with Molly McDolan & Ana Inés Feola, 12-14 contemporary, Vienna.
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Sept 10, 2019: Ruth Anderwald + Leonhard Grond, The Art of Being Governed (2019), in conversation with Katrin Bucher Trantow and Judith Schoßböck, Kunsthaus Graz.
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Jun 15, 2019: Annette Weisser, Kanon (2006), Brücke-Museum, Berlin.
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Jun 15th, 2019: Svenja Leiber, Das letzte Land (2014), Brücke-Museum, Berlin.
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Jun 15th, 2019: Maya Schweizer, Passing Down, Frame One (2007), Brücke-Museum, Berlin.
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May 30, 2019: Karam Natour, Nothing Personal (2017), Center for Contemporary Art – Tel Aviv.
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Jun 17, 2017: Larrry Gottheim, Memnosyne
Mother of Muses
 (1987), School for Independant Film, Vienna.
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Apr 5, 2017: Ruth Anderwald + Leonhard Grond, Paris Tapes (2012), Kunstraum München.
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Apr 1, 2017: Gunvar Nelson, Frame Lines (1984),
Carte Blanche for Mark Toscano, Diagonale Film Festival – Graz.
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Feb 8, 2017: Teboho Edkins, Gangster Backstage (2013), Initiation (2016), Kunsthaus Graz.
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Aug 30th 2016: Ruth Anderwald + Leonhard Grond, Dizzines Is My Name (2016), European Forum Alpbach.
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Mar 22, 2016: Catherine Yass, Lighthouse (2012),
Center for Contemporary Art – Tel Aviv.
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Mar 21, 2016: Anna Jermolaewa, Trying to Survive (2000), Center for Contemporary Art – Tel Aviv.
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Mar 21, 2016: Ruth Anderwald + Leonhard Grond, Dizziness–A Resource (2014-2017),
Center for Contemporary Art – Tel Aviv.
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Jan 15, 2016: Christine de la
Garenne, Bokker (2006), On-dit (2005), 
Das Esszimmer – Bonn.
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May 11, 2015: Henry Hills, Failed States (2008),
Lakeside – Klagenfurt.
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Apr 27, 2015: Catherine Yass, High Wire (2008),
Novi Beograd.
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Nov 21, 2014: Saul Levine, Falling Notes Unleaving (2013), Kulturzentrum Minoriten–Graz.
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Nov 21,  2014: Ed Atkins, Delivery To The Following Recipient Failed Permanently (2011, Kulturzentrum Minoriten – Graz.
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Jun 14, 2014: Anthony McCall, Line Describing a Cone (1973), Kulturzentrum Minoriten – Graz.
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Apr 5, 2014: Astrid S. Klein, We bow in empty LIBERTÉ (2008), Kulturzentrum Minoriten – Graz.
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Mar 1, 2014: Philipp Fleischmann, Cinematographie (2007/2009, Kulturzentrum Minoriten – Graz.
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Jan 25, 2014: Miloš Tomić, musical diary #1 (2012), musical intermeco #1 (2014), musical diary #3 (2013), musical intermeco #2 (2014), Kulturzentrum Minoriten – Graz.
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Nov 23, 2013: Bärbel Neubauer, Fractal Cycles, (2011), Kulturzentrum Minoriten – Graz.
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Nov 11, 2013: Werner von Mutzenbecher, Orpheus (2011), Whitechapel Gallery – London.
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Oct 12th 2013: Basim Magdy, Time Laughs Back at You Like a Drunken Ship (2012), Kulturzentrum Minoriten – Graz.
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Sept 28, 2013: Helga Fanderl, 16mm Blow-Up, Colour (2012), Kulturzentrum Minoriten – Graz
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May 25, 2013: Wendy Vainity, It's a Meat Market, I wanna jump your bones (2010),
Daz a holic
(2012), Julia Gillard's victory song (2010), Meow meow I am a cat (2012), virtual wendy lets her hair down (2012), discussion with artist Fiona Rukschci, Kulturzentrum Minoriten – Graz.
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Apr 13, 2013: Rose Lowder, Bouquets 11-20
(2005-2009), Kulturzentrum Minoriten – Graz.
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Mar 16, 2013: Stephen Dworskin, Dear Frances, (2003)discussion with author Franz Schuh,
Kulturzentrum Minoriten – Graz.
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Jan 26, 2013: Maki Satake, Vestige of Life (2009), Kulturzentrum Minoriten – Graz.
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Dec 2, 2012: Hans Richter, Toccata für das mechanische Klavier (Paul Hindemith) (1926)
Vormittagsspuk
(1928), discussion with composer Benjamin Schweitze, Kulturzentrum Minoriten – Graz.
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Nov 10, 2012: Rosalind Nashashibi, Lovely Young People (Beautiful Supple Bodies) (2012), Kulturzentrum Minoriten – Graz.
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Oct 6, 2012: Ruth Anderwald + Leonhard Grond, Paris Tapes (2012, Kulturzentrum Minoriten – Graz.
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Jun 21, 2012: The Vasulkas, Voice Window (1986),
Lilith
(1987), Kunsthalle Vienna. 
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May 12, 2012 + May 10 2012: Hannes Schüpbach, Contour (2011, Kulturzentrum Minoriten – Graz & Kunsthalle Vienna.
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Apr 21, 2012: Bruce Baillie, Castro Street (1966),
Valentin De Las Sierras
(1967, Kulturzentrum Minoriten – Graz.
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Apr 19, 2012: Evelyn Schlag, Sprache aus einem anderen Holz/Language cut out from other wood (2008), Kunsthalle Vienna.
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Mar 8, 2012 + March 3, 2012: Vivian Ostrovsky, Eat, (1988), Fone Für Follies (2008), Kulturzentrum
Minoriten – Graz & Kunsthalle Vienna. 
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Jan 26, 2012 + Jan 28, 2012: Dominique Willoughby, Disques stroboscopiques du Dix-Neuvième siècle (1999)
Plongeon
(2005), Kulturzentrum Minoriten – Graz &
Kunsthalle Vienna.